Runtime 2:53 Nicole cohen works with video and collage. Her work is positioned at the crossroads of contemporary reality, personal fantasy, and culturally constructed space. Although trained in painting and drawing, Cohen most frequently uses video as her medium, playing upon its intrinsic capacities to manipulate time, distort scale and environment, and overlay imagery. Consistently interested in engaging her audience and challenging notions of lifestyle, domesticity, celebrity, and social behavior, Cohen also uses the surveillance camera to involve her viewers in their own voyeurism. Surveillance cameras first appeared in video art installations in the late 1960s. At a time when television dominated American culture, artists sought to change audiences from passive to active participants. In the last four decades, video art has evolved to encompass new technologies that allow for a more seamless inclusion of and reliance on the viewer for the outcome of the work, and Cohens projects serve as some of the most paradigmatic and successful examples. She received her BA from Hampshire College and her MFA from the University of Southern California in Los Angeles. She has exhibited at the Brooklyn Museum of Art, Los Angeles County of Art, Williams College Museum of Art, Shoshana Wayne Gallery, La B.A.N.K Galerie in Paris, France, at the J. Paul Getty Museum in Los Angeles, the Autostadt (Volkswagen) Wolfsburg, Schloss Britz in Berlin, Germany, American University Museum at Katzen Art Center in Washington D.C., Wave Hill A Public Garden and Cultural Center and in Asia. She has lived in Los Angeles and in Berlin, Germany, and in New York City, where she currently lives and works.